PUBLIC MARKS with tags ux & webdesign

In 2003–2004, I worked for the TILE project, a university research program in accessibility of “learning objects” in education that was funded by Industry Canada. My topic was “best practices in online captioning,” about which little has been written. I was hoping to have a few demonstration projects to show you, but then again, demonstration projects are pretty much all we've got in online captioning. I did write the following chapters.

Les référentiels d’accessibilité indiquent que les sous-titres synchronisés sont des éléments nécessaires à l’accessibilité des vidéos. Ce besoin concerne notamment les personnes en situation de déficience auditive, mais également les personnes ne maîtrisant pas la langue du contenu, ou ayant généralement une compréhension améliorée du contenu vidéo lorsqu’il est sous-titré.

Luke Wroblewski went on a pretty great twitter tear debunking the persistent myth of "the fold" in contemporary (read: multi-device) web design. For posterity, here are all of the tweets including links to the sources.

Director Wes Anderson has always been distinguished for his visual artistry, detail-rich sets, and storybook-like imagery. From the whimsical, campy feel of Moonrise Kingdom to the carefully crafted sets and miniatures in The Grand Budapest Hotel, Anderson’s movies are visual masterpieces.

GOOGLE'S NEW DESIGN ETHOS, LIVING ON AND BEYOND EVERY SCREEN, COULD MAKE GOOGLE AN AMORPHOUS PROBLEM SOLVER OF UNIMAGINABLE SCALE.

Tunnel d'inscription expliqué de pas mal de site web

How do you speak to a group of extremely passionate people? What kind of design would speak to them? When Joshua Topolsky approached us about creating three different layouts in the style of three mobile UI’s we were initially torn. Something about mimicking the UI of phones didn’t feel original. But more importantly, it presented a problem of presentation. There was an inherent a UX problem to solve: do you offer presentation options or do you trick the user? We decided to troll.